Color Combinations

Aa4.69

.bg-black + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.22

.bg-near-black + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.63

.bg-near-black + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.13

.bg-near-black + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.77

.bg-near-black + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.28

.bg-near-black + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.17

.bg-near-black + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-near-black + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.41

.bg-near-black + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.48

.bg-near-black + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.34

.bg-near-black + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.20

.bg-near-black + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.98

.bg-near-black + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.45

.bg-near-black + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.79

.bg-near-black + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.33

.bg-near-black + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.81

.bg-near-black + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa14.17

.bg-near-black + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.84

.bg-near-black + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.80

.bg-near-black + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.38

.bg-near-black + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.04

.bg-near-black + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.13

.bg-near-black + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.32

.bg-near-black + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.60

.bg-near-black + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.57

.bg-near-black + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.80

.bg-near-black + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.32

.bg-near-black + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.17

.bg-near-black + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.43

.bg-dark-gray + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.44

.bg-dark-gray + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.21

.bg-dark-gray + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.89

.bg-dark-gray + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.49

.bg-dark-gray + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-dark-gray + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.62

.bg-dark-gray + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.67

.bg-dark-gray + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.25

.bg-dark-gray + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.83

.bg-dark-gray + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.65

.bg-dark-gray + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.22

.bg-dark-gray + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-gray + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.24

.bg-dark-gray + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.48

.bg-dark-gray + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.26

.bg-dark-gray + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.28

.bg-dark-gray + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.45

.bg-dark-gray + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.25

.bg-dark-gray + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.42

.bg-dark-gray + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.43

.bg-dark-gray + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.91

.bg-dark-gray + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.26

.bg-dark-gray + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.15

.bg-dark-gray + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.21

.bg-mid-gray + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.44

.bg-mid-gray + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.43

.bg-mid-gray + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.78

.bg-mid-gray + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-mid-gray + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.35

.bg-mid-gray + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.87

.bg-mid-gray + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.03

.bg-mid-gray + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.44

.bg-mid-gray + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.27

.bg-mid-gray + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.59

.bg-mid-gray + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.46

.bg-mid-gray + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.70

.bg-mid-gray + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.39

.bg-mid-gray + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.05

.bg-mid-gray + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.79

.bg-mid-gray + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-mid-gray + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.03

.bg-mid-gray + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.23

.bg-mid-gray + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.99

.bg-mid-gray + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.22

.bg-gray + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.27

.bg-gray + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.86

.bg-gray + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.07

.bg-gray + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-gray + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-gray + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.27

.bg-gray + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.36

.bg-gray + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.28

.bg-gray + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.78

.bg-gray + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.63

.bg-gray + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.40

.bg-gray + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.22

.bg-gray + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.34

.bg-gray + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.60

.bg-gray + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.63

.bg-silver + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.43

.bg-silver + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-silver + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.94

.bg-silver + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.18

.bg-silver + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.13

.bg-light-silver + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.44

.bg-light-silver + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.21

.bg-light-silver + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-light-silver + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.15

.bg-light-silver + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.29

.bg-light-silver + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.90

.bg-light-silver + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.77

.bg-moon-gray + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.21

.bg-moon-gray + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.44

.bg-moon-gray + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.27

.bg-moon-gray + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-moon-gray + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.34

.bg-moon-gray + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-moon-gray + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.62

.bg-moon-gray + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.53

.bg-moon-gray + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.35

.bg-moon-gray + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.60

.bg-moon-gray + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.28

.bg-light-gray + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.89

.bg-light-gray + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.43

.bg-light-gray + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.86

.bg-light-gray + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-light-gray + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.01

.bg-light-gray + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.32

.bg-light-gray + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.09

.bg-light-gray + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.28

.bg-light-gray + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.35

.bg-light-gray + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa14.59

.bg-light-gray + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.80

.bg-light-gray + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.17

.bg-near-white + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.49

.bg-near-white + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.78

.bg-near-white + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.07

.bg-near-white + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-near-white + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.18

.bg-near-white + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.66

.bg-near-white + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.32

.bg-near-white + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.15

.bg-near-white + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.52

.bg-near-white + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.64

.bg-near-white + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-near-white + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.23

.bg-near-white + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-transparent + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-transparent + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-transparent + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-transparent + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-transparent + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-transparent + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-transparent + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-transparent + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-transparent + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-transparent + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-transparent + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-transparent + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-transparent + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-transparent + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-transparent + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-transparent + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-transparent + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-transparent + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-transparent + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-transparent + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-transparent + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-transparent + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-transparent + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-transparent + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-transparent + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-transparent + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-transparent + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-transparent + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black90 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black90 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black90 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black90 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black90 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black90 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black90 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black90 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black90 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black90 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black90 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black90 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black90 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black90 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black90 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black90 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black90 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black90 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black90 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black90 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black90 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black90 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black90 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black90 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black90 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black90 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black90 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black90 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black80 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black80 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black80 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black80 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black80 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black80 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black80 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black80 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black80 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black80 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black80 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black80 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black80 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black80 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black80 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black80 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black80 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black80 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black80 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black80 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black80 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black80 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black80 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black80 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black80 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black80 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black80 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black80 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black70 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black70 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black70 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black70 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black70 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black70 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black70 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black70 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black70 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black70 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black70 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black70 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black70 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black70 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black70 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black70 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black70 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black70 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black70 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black70 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black70 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black70 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black70 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black70 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black70 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black70 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black70 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black70 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black60 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black60 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black60 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black60 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black60 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black60 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black60 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black60 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black60 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black60 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black60 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black60 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black60 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black60 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black60 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black60 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black60 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black60 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black60 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black60 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black60 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black60 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black60 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black60 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black60 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black60 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black60 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black60 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black50 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black50 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black50 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black50 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black50 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black50 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black50 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black50 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black50 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black50 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black50 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black50 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black50 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black50 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black50 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black50 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black50 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black50 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black50 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black50 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black50 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black50 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black50 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black50 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black50 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black50 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black50 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black50 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black40 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black40 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black40 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black40 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black40 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black40 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black40 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black40 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black40 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black40 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black40 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black40 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black40 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black40 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black40 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black40 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black40 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black40 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black40 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black40 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black40 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black40 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black40 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black40 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black40 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black40 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black40 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black40 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black30 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black30 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black30 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black30 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black30 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black30 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black30 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black30 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black30 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black30 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black30 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black30 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black30 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black30 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black30 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black30 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black30 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black30 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black30 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black30 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black30 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black30 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black30 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black30 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black30 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black30 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black30 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black30 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black20 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black20 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black20 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black20 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black20 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black20 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black20 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black20 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black20 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black20 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black20 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black20 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black20 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black20 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black20 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black20 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black20 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black20 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black20 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black20 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black20 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black20 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black20 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black20 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black20 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black20 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black20 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black20 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black10 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black10 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black10 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black10 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black10 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black10 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black10 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black10 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black10 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black10 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black10 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black10 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black10 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black10 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black10 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black10 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black10 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black10 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black10 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black10 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black10 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black10 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black10 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black10 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black10 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black10 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black10 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black10 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black05 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black05 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black05 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black05 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black05 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black05 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black05 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black05 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black05 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black05 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black05 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black05 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black05 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black05 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black05 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black05 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black05 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black05 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black05 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black05 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black05 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black05 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black05 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black05 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black05 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black05 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black05 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black05 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black025 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black025 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black025 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black025 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black025 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black025 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black025 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black025 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black025 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black025 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black025 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black025 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black025 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black025 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black025 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black025 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black025 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black025 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black025 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black025 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black025 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black025 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black025 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black025 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black025 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black025 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black025 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black025 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-black0125 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.37

.bg-black0125 + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.04

.bg-black0125 + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.31

.bg-black0125 + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.10

.bg-black0125 + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.09

.bg-black0125 + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-black0125 + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-black0125 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-black0125 + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-black0125 + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-black0125 + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-black0125 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-black0125 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-black0125 + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-black0125 + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-black0125 + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-black0125 + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-black0125 + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-black0125 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-black0125 + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-black0125 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-black0125 + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-black0125 + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-black0125 + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-black0125 + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-black0125 + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-black0125 + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-black0125 + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white90 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white90 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white90 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white90 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white90 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white90 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white90 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white90 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white90 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white90 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white90 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white90 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white90 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white80 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white80 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white80 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white80 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white80 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white80 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white80 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white80 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white80 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white80 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white80 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white80 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white80 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white70 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white70 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white70 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white70 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white70 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white70 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white70 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white70 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white70 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white70 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white70 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white70 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white70 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white60 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white60 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white60 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white60 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white60 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white60 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white60 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white60 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white60 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white60 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white60 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white60 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white60 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white50 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white50 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white50 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white50 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white50 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white50 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white50 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white50 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white50 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white50 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white50 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white50 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white50 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white40 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white40 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white40 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white40 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white40 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white40 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white40 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white40 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white40 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white40 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white40 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white40 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white40 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white30 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white30 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white30 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white30 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white30 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white30 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white30 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white30 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white30 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white30 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white30 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white30 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white30 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white20 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white20 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white20 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white20 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white20 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white20 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white20 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white20 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white20 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white20 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white20 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white20 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white20 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white10 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white10 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white10 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white10 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white10 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white10 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white10 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white10 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white10 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white10 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white10 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white10 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white10 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white05 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white05 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white05 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white05 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white05 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white05 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white05 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white05 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white05 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white05 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white05 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white05 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white05 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white025 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white025 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white025 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white025 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white025 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white025 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white025 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white025 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white025 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white025 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white025 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white025 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white025 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.88

.bg-white0125 + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.63

.bg-white0125 + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.46

.bg-white0125 + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-white0125 + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa21.00

.bg-white0125 + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-white0125 + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-white0125 + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-white0125 + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-white0125 + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-white0125 + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-white0125 + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-white0125 + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-white0125 + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.41

.bg-hot-pink + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.62

.bg-hot-pink + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.01

.bg-hot-pink + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.18

.bg-hot-pink + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.01

.bg-hot-pink + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.49

.bg-hot-pink + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.85

.bg-hot-pink + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.44

.bg-hot-pink + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.29

.bg-hot-pink + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.39

.bg-hot-pink + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.15

.bg-purple + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.34

.bg-purple + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.32

.bg-purple + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.66

.bg-purple + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-purple + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.29

.bg-purple + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.79

.bg-purple + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.96

.bg-purple + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.35

.bg-purple + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.20

.bg-purple + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.50

.bg-purple + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.37

.bg-purple + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.64

.bg-purple + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.32

.bg-purple + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.95

.bg-purple + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.72

.bg-purple + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.21

.bg-purple + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.91

.bg-purple + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.11

.bg-purple + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.89

.bg-purple + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.48

.bg-light-purple + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.67

.bg-light-purple + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.35

.bg-light-purple + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.43

.bg-light-purple + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.29

.bg-light-purple + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.60

.bg-light-purple + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.06

.bg-light-purple + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.34

.bg-blue + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.25

.bg-blue + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.87

.bg-blue + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.72

.bg-blue + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.79

.bg-blue + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.10

.bg-blue + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.25

.bg-blue + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.05

.bg-blue + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.06

.bg-blue + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.91

.bg-blue + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.20

.bg-green + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.83

.bg-green + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.03

.bg-green + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.34

.bg-green + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.96

.bg-green + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.35

.bg-green + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.15

.bg-green + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.89

.bg-green + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.98

.bg-dark-red + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-dark-red + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.09

.bg-dark-red + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.32

.bg-dark-red + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.42

.bg-dark-red + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.75

.bg-dark-red + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.10

.bg-dark-red + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.47

.bg-dark-red + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.56

.bg-dark-red + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.48

.bg-dark-red + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.57

.bg-dark-red + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.85

.bg-dark-red + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.67

.bg-dark-red + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-dark-red + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.61

.bg-dark-red + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.82

.bg-dark-red + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.45

.bg-red + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.65

.bg-red + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.15

.bg-red + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.06

.bg-red + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.46

.bg-red + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.89

.bg-red + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.41

.bg-red + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.27

.bg-red + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.36

.bg-red + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.79

.bg-light-red + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.22

.bg-light-red + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.44

.bg-light-red + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.27

.bg-light-red + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.33

.bg-light-red + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.35

.bg-light-red + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.47

.bg-light-red + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.63

.bg-light-red + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.53

.bg-light-red + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.36

.bg-light-red + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.61

.bg-light-red + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.33

.bg-orange + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-orange + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.04

.bg-orange + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.67

.bg-orange + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.03

.bg-orange + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.81

.bg-gold + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.24

.bg-gold + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.27

.bg-gold + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.03

.bg-gold + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.20

.bg-gold + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.55

.bg-gold + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.70

.bg-gold + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.18

.bg-gold + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa14.17

.bg-yellow + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.48

.bg-yellow + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.59

.bg-yellow + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.36

.bg-yellow + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.76

.bg-yellow + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.50

.bg-yellow + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.56

.bg-yellow + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.73

.bg-yellow + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.66

.bg-yellow + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.70

.bg-yellow + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.79

.bg-yellow + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.84

.bg-light-yellow + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.26

.bg-light-yellow + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.46

.bg-light-yellow + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.28

.bg-light-yellow + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-light-yellow + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.37

.bg-light-yellow + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.48

.bg-light-yellow + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.64

.bg-light-yellow + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.55

.bg-light-yellow + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.41

.bg-light-yellow + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.63

.bg-light-yellow + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.80

.bg-dark-pink + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.62

.bg-dark-pink + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.28

.bg-dark-pink + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.52

.bg-dark-pink + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.23

.bg-dark-pink + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.97

.bg-dark-pink + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.25

.bg-dark-pink + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.63

.bg-dark-pink + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.73

.bg-dark-pink + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.64

.bg-dark-pink + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.41

.bg-dark-pink + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.03

.bg-dark-pink + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.89

.bg-dark-pink + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-dark-pink + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.82

.bg-dark-pink + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.99

.bg-dark-pink + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.38

.bg-pink + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.28

.bg-pink + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.70

.bg-pink + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.44

.bg-pink + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.64

.bg-pink + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.08

.bg-pink + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.41

.bg-pink + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.50

.bg-pink + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.04

.bg-dark-green + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.53

.bg-dark-green + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.35

.bg-dark-green + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.64

.bg-dark-green + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.38

.bg-dark-green + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.21

.bg-dark-green + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.05

.bg-dark-green + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.35

.bg-dark-green + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.53

.bg-dark-green + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.55

.bg-dark-green + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.66

.bg-dark-green + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.55

.bg-dark-green + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.08

.bg-dark-green + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.66

.bg-dark-green + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.04

.bg-dark-green + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.15

.bg-dark-green + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.10

.bg-dark-green + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.85

.bg-dark-green + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.02

.bg-dark-green + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.99

.bg-dark-green + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.78

.bg-navy + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.94

.bg-navy + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.29

.bg-navy + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.35

.bg-navy + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa14.59

.bg-navy + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.39

.bg-navy + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.93

.bg-navy + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.85

.bg-navy + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.60

.bg-navy + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.06

.bg-navy + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.15

.bg-navy + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.57

.bg-navy + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.89

.bg-navy + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.36

.bg-navy + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.67

.bg-navy + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.70

.bg-navy + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.70

.bg-navy + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.41

.bg-navy + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.41

.bg-navy + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.41

.bg-navy + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.98

.bg-navy + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.74

.bg-navy + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.61

.bg-navy + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.65

.bg-navy + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.96

.bg-navy + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.43

.bg-navy + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.60

.bg-navy + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.18

.bg-dark-blue + .silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.90

.bg-dark-blue + .light-silver

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.60

.bg-dark-blue + .moon-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.80

.bg-dark-blue + .light-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.23

.bg-dark-blue + .near-white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.05

.bg-dark-blue + .white0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.06

.bg-dark-blue + .light-purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.91

.bg-dark-blue + .blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.89

.bg-dark-blue + .green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.61

.bg-dark-blue + .light-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.03

.bg-dark-blue + .orange

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.18

.bg-dark-blue + .gold

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.79

.bg-dark-blue + .yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.63

.bg-dark-blue + .light-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.50

.bg-dark-blue + .pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.33

.bg-dark-blue + .light-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.34

.bg-dark-blue + .lightest-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.60

.bg-dark-blue + .light-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.90

.bg-dark-blue + .washed-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.53

.bg-dark-blue + .washed-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.78

.bg-dark-blue + .washed-yellow

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.27

.bg-dark-blue + .washed-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.13

.bg-light-blue + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.45

.bg-light-blue + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.39

.bg-light-blue + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.38

.bg-light-blue + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.32

.bg-light-blue + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.66

.bg-light-blue + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.98

.bg-light-blue + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.33

.bg-light-blue + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.32

.bg-lightest-blue + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.25

.bg-lightest-blue + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.05

.bg-lightest-blue + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.63

.bg-lightest-blue + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.04

.bg-lightest-blue + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.95

.bg-lightest-blue + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.85

.bg-lightest-blue + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.03

.bg-lightest-blue + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.04

.bg-lightest-blue + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.74

.bg-lightest-blue + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.34

.bg-lightest-blue + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa9.60

.bg-light-pink + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.42

.bg-light-pink + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.79

.bg-light-pink + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.67

.bg-light-pink + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.72

.bg-light-pink + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.15

.bg-light-pink + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.61

.bg-light-pink + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.60

.bg-light-pink + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.57

.bg-washed-blue + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.43

.bg-washed-blue + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.33

.bg-washed-blue + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.40

.bg-washed-blue + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.65

.bg-washed-blue + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.44

.bg-washed-blue + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.21

.bg-washed-blue + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.67

.bg-washed-blue + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.41

.bg-washed-blue + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.89

.bg-washed-blue + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.10

.bg-washed-blue + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.65

.bg-washed-blue + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.90

.bg-washed-blue + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa17.80

.bg-washed-green + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa11.91

.bg-washed-green + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.03

.bg-washed-green + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.22

.bg-washed-green + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa19.80

.bg-washed-green + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.29

.bg-washed-green + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.91

.bg-washed-green + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.48

.bg-washed-green + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.27

.bg-washed-green + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.69

.bg-washed-green + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.85

.bg-washed-green + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.96

.bg-washed-green + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.53

.bg-washed-green + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa18.32

.bg-washed-yellow + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa12.26

.bg-washed-yellow + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.23

.bg-washed-yellow + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.34

.bg-washed-yellow + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa20.38

.bg-washed-yellow + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.39

.bg-washed-yellow + .hot-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.11

.bg-washed-yellow + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.61

.bg-washed-yellow + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.36

.bg-washed-yellow + .red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.82

.bg-washed-yellow + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa6.02

.bg-washed-yellow + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.43

.bg-washed-yellow + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa8.78

.bg-washed-yellow + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa15.17

.bg-washed-red + .near-black

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa10.15

.bg-washed-red + .dark-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.99

.bg-washed-red + .mid-gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.60

.bg-washed-red + .gray

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .transparent

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black90

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black80

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black70

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black60

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black50

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black40

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black30

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black20

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black10

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black05

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black025

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa16.87

.bg-washed-red + .black0125

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa5.89

.bg-washed-red + .purple

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.82

.bg-washed-red + .dark-red

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa3.99

.bg-washed-red + .dark-pink

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa4.99

.bg-washed-red + .dark-green

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa13.60

.bg-washed-red + .navy

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

Aa7.27

.bg-washed-red + .dark-blue

In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers

	Aa	--black: #000
	Aa	--near-black: #111
	Aa	--dark-gray: #333
	Aa	--mid-gray: #555
	Aa	--gray: #777
	Aa	--silver: #999
	Aa	--light-silver: #aaa
	Aa	--moon-gray: rgba(220, 220, 220, 0.9)
	Aa	--light-gray: #eee
	Aa	--near-white: #f4f4f4
	Aa	--white: #fff
	Aa	--transparent: transparent
	Aa	--black90: rgba(0, 0, 0, 0.9)
	Aa	--black80: rgba(0, 0, 0, 0.8)
	Aa	--black70: rgba(0, 0, 0, 0.7)
	Aa	--black60: rgba(0, 0, 0, 0.6)
	Aa	--black50: rgba(0, 0, 0, 0.5)
	Aa	--black40: rgba(0, 0, 0, 0.4)
	Aa	--black30: rgba(0, 0, 0, 0.3)
	Aa	--black20: rgba(0, 0, 0, 0.2)
	Aa	--black10: rgba(0, 0, 0, 0.1)
	Aa	--black05: rgba(0, 0, 0, 0.05)
	Aa	--black025: rgba(0, 0, 0, 0.025)
	Aa	--black0125: rgba(0, 0, 0, 0.0125)
	Aa	--white90: rgba(255, 255, 255, 0.9)
	Aa	--white80: rgba(255, 255, 255, 0.8)
	Aa	--white70: rgba(255, 255, 255, 0.7)
	Aa	--white60: rgba(255, 255, 255, 0.6)
	Aa	--white50: rgba(255, 255, 255, 0.5)
	Aa	--white40: rgba(255, 255, 255, 0.4)
	Aa	--white30: rgba(255, 255, 255, 0.3)
	Aa	--white20: rgba(255, 255, 255, 0.2)
	Aa	--white10: rgba(255, 255, 255, 0.1)
	Aa	--white05: rgba(255, 255, 255, 0.05)
	Aa	--white025: rgba(255, 255, 255, 0.025)
	Aa	--white0125: rgba(255, 255, 255, 0.0125)
	Aa	--hot-pink: #ff3a5c
	Aa	--purple: #673ab7
	Aa	--light-purple: rgb(199, 153, 255)
	Aa	--blue: #56e2ff
	Aa	--green: #41D69F
	Aa	--dark-red: #e7040f
	Aa	--red: #ff4136
	Aa	--light-red: #ffd3c0
	Aa	--orange: #ff6300
	Aa	--gold: #ffb700
	Aa	--yellow: #ffde37
	Aa	--light-yellow: #f3dd70
	Aa	--dark-pink: #d5008f
	Aa	--pink: #f49cc8
	Aa	--dark-green: #006C71
	Aa	--navy: #001b44
	Aa	--dark-blue: #00449e
	Aa	--light-blue: #96ccff
	Aa	--lightest-blue: #cdecff
	Aa	--light-pink: #efa4b8
	Aa	--washed-blue: #f6fffe
	Aa	--washed-green: #e8fdf5
	Aa	--washed-yellow: #fffceb
	Aa	--washed-red: #ffdfdf

Built for designing.

Getting Started

Start Using

Typography

Level 1 Heading

Level 2 Heading

Level 3 Heading

Level 4 Heading

Level 5 Heading

Level 6 Heading

Level 7 Heading

Measure

Wide Measure

Measure

Narrow Measure

Colors

Color Combinations

Aa4.69

Aa7.37

Aa9.04

Aa15.31

Aa18.10

Aa19.09

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa21.00

Aa6.01

Aa9.43

Aa13.72

Aa11.34

Aa4.42

Aa6.06

Aa15.33

Aa7.04

Aa12.03

Aa15.76

Aa15.39

Aa4.23

Aa10.44

Aa3.38

Aa12.38

Aa17.04

Aa10.67

Aa20.65

Aa19.80

Aa20.38

Aa16.87

Aa4.22

Aa6.63

Aa8.13

Aa13.77

Aa16.28

Aa17.17

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa18.88

Aa5.41

Aa8.48

Aa12.34

Aa10.20